Recently I was going through the photos of my trip to Nepal in September 2011, and found many that didn’t catch my attention before. So I decided to share them here.
This is the first part that consists of scenery images.
For the last several months I’ve been focusing on photographing still life images. I don’t know exactly why but I am drawn to still life photography. I like to create various compositions putting emphasis on shapes, light, and color. In this article I’ll share some of my creations and talk you through my thought process. The images that you will see here where created by me during the course of the last five months.
I started experimenting with simple shapes and gradually added more components using bottles and other items I had at home. My first images consisted of two objects and were shot in black and white. This way I was able to concentrate purely on shape and light. Here is one such example, which I liked. There is a contrast between one dark, “solid” object on the foreground and one light, almost transparent object in the background. I tried intuitively to place them in a way that would look interesting and pleasing to me.
Next I added one more object, some color, and changed the lighting. The reason I changed the lighting is for the color to bee seen, but I still wanted to have shadow in the image. This way I aimed to bring a certain mood into the image. Looking at it on my computer screen I felt that something was missing, tried to add texture, and liked the result. This image is still very simplistic, a building block in my studies of still life photography.
I kept on trying various compositions, and here’s my attempt to add some humor. There’s not much sense to it, but I like this drunk zebra 🙂
The image below was inspired by images of Victoria Ivanova . She has some very cool conceptual still life images with pears (and other items). I call this image “Examination”. Will let you figure this one out for yourself 🙂
Concept imagery is pretty difficult to come up with, and I didn’t have much luck with it just yet. In the meantime I continued to focus on form, light and color. In my next composition I wanted to emphasize a single color, so it would become the whole theme of the image. It doesn’t mean that there is only one color but that it is the vividly dominant one, so there’s no mistake as to which one is it.
I also tried to change backgrounds and match them to my subjects. One of the things I learned from the photo below is that I don’t like empty things. I didn’t notice this at first, but when I looked at the final image I kept thinking that something was missing, and finally I realized that all the items were empty!
I didn’t repeat that mistake in my next image. In this image I made an emphasis on color. Seeing the final image I saw that vivid colors add a lot of interest to it. Ideally, of course, it should also be the shape, the light, and the meaning of the image together to form a good one.
The image below is the most recent one I created. When working on its’ composition I felt that only glass objects with (or without) liquid created a lacking picture. I tried to add various objects but nothing worked. Then I went out to the garden and looked around, saw this sprout and tried to add it to my composition. Finally I got what I needed, and the image was complete. There is an interesting “cross-balance” (term I thought of just now 🙂 ) in this photograph: A diagonal line of three filled objects from top left to bottom right, and another diagonal line of two empty objects from top right to bottom left.
A few technical notes regarding my lighting setup: I generally had two lights. One is located below the table on which I created my compositions. That light was lighting the background and adding the glow to the bottles from behind. Another one is located to the left of the camera and just a bit above the bottles. On it I placed polarizing gel and also used a polarizing filter on the lens. I turned the polarizer on the lens so that the reflections of the light source in the bottles would not be visible. In some cases I created two exposures of the same composition – one with reflections and another without. Later in Photoshop I loaded the two exposures as layers, completely masked out the exposure with reflections, and only revealed the reflections that I wanted to be seen.
Autumn is a very special time of the year. I feel that it is time for relaxation and contemplation. Walking under the reddish-orange trees in the parks, it invites me to think about things. Different things. Autumn is also a very beautiful time of the year. But to be honest I have to say that any time of the year is beautiful, you just have to look for the beauty in it.
While we were walking the gardens, a girl passed by. She fitted so perfectly the scenery with her raincoat and umbrella. For a while we walked behind her and I took some photos.
Botanical gardens offer a wide variety of flora, sometimes creating very interesting contrasts of sizes, shapes, and colors.
After a while we saw this girl again, sitting quietly and watching the lake. I wonder what she was thinking about…
And here is the lake that she was watching. What can be more beautiful than colorful reflections in the still waters?
The gardens were so beautifully that I couldn’t stop taking photos. The colors hypnotized me.
If you enjoy autumn and photography you can understand 🙂
Hope you enjoyed this little excursion to the National Rhododendron Gardens. Please let me know in the comments below!
If you are into photography and Photoshop in particular, and you never heard of Guy Gowan, you really should. Guy has a 30+ years of experience in the imaging industry, and his Photoshop workflow is pretty unique. He has a subscription based website, where you can buy an annual subscription and get access to his 100+ tutorials “teaching the art of image processing” as he writes on his website.
I was subscribed for a full year to his website and learned a lot! However, this post is not about the tutorials. Recently Guy added another cool and free (!) feature to his website – Fuse. He describes it as “A new free to view programme featuring new technology, techniques, ideas and personalities from the imaging world”. Basically what Guy does is he puts out every week or so a new Fuse episode, in which he talks about gadgets and various creative things he found on the web. Since Guy is a very smart and creative person himself, naturally he chooses very interesting stuff to talk about, and I find these episodes very interesting. In these days of information overload, I use Guy’s Fuse as a very delicate filter for what to watch and what information to take in.
If I’ve got you interested, you can see the latest Fuse episode here . If you decide to subscribe to Guy’s tutorials and webcasts, please enter my email into the “referrer email” field (greg at photopathway dot com) to show your appreciation 🙂
About a week ago I took my family for a short 5 day vacation. We decided to go for a drive along the famous Great Ocean Road here in Victoria. Of course I had my DSLR with me, however I didn’t use it during the noon hours of sunny days. I used my iPhone instead. Here is a panorama I took from the London Bridge viewing platform.P.S. The photo from the previous post (Apollo Bay) was also taken on this trip.