Photographing Still Life

For the last several months I’ve been focusing on photographing still life images. I don’t know exactly why but I am drawn to still life photography. I like to create various compositions putting emphasis on shapes, light, and color. In this article I’ll share some of my creations and talk you through my thought process. The images that you will see here where created by me during the course of the last five months.

I started experimenting with simple shapes and gradually added more components using bottles and other items I had at home. My first images consisted of two objects and were shot in black and white. This way I was able to concentrate purely on shape and light. Here is one such example, which I liked. There is a contrast between one dark, “solid” object on the foreground and one light, almost transparent object in the background. I tried intuitively to place them in a way that would look interesting and pleasing to me.

Still life with bottle and vase in black and white by greg brave
click on the photo to enlarge

Next I added one more object, some color, and changed the lighting. The reason I changed the lighting is for the color to bee seen, but I still wanted to have shadow in the image. This way I aimed to bring a certain mood into the image. Looking at it on my computer screen I felt that something was missing, tried to add texture, and liked the result. This image is still very simplistic, a building block in my studies of still life photography.

Still life with bottle and vase in color by greg brave
click on the photo to enlarge

I kept on trying various compositions, and here’s my attempt to add some humor. There’s not much sense to it, but I like this drunk zebra ๐Ÿ™‚

Still life with bottles and toy horse in black and white by greg brave
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The image below was inspired by images of Victoria Ivanova . She has some very cool conceptual still life images with pears (and other items). I call this image “Examination”. Will let you figure this one out for yourself ๐Ÿ™‚

Still life with bottles and pears in color by greg brave
click on the photo to enlarge

Concept imagery is pretty difficult to come up with, and I didn’t have much luck with it just yet. In the meantime I continued to focus on form, light and color. In my next composition I wanted to emphasize a single color, so it would become the whole theme of the image. It doesn’t mean that there is only one color but that it is the vividly dominant one, so there’s no mistake as to which one is it.

Still life with bottle vase apple and glass in color by greg brave
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I also tried to change backgrounds and match them to my subjects. One of the things I learned from the photo below is that I don’t like empty things. I didn’t notice this at first, but when I looked at the final image I kept thinking that something was missing, and finally I realized that all the items were empty!

Still life with bottles and glasses in color by greg brave
click on the photo to enlarge

I didn’t repeat that mistake in my next image. In this image I made an emphasis on color. Seeing the final image I saw that vivid colors add a lot of interest to it. Ideally, of course, it should also be the shape, the light, and the meaning of the image together to form a good one.

Still life with bottles glass and fruits in color by greg brave
click on the photo to enlarge

The image below is the most recent one I created. When working on its’ composition I felt that only glass objects with (or without) liquid created a lacking picture. I tried to add various objects but nothing worked. Then I went out to the garden and looked around, saw this sprout and tried to add it to my composition. Finally I got what I needed, and the image was complete. There is an interesting “cross-balance” (term I thought of just now ๐Ÿ™‚ ) in this photograph: A diagonal line of three filled objects from top left to bottom right, and another diagonal line of two empty objects from top right to bottom left.

Still life with bottles glass and flora in color by greg brave
click on the photo to enlarge

A few technical notes regarding my lighting setup: I generally had two lights. One is located below the table on which I created my compositions. That light was lighting the background and adding the glow to the bottles from behind. Another one is located to the left of the camera and just a bit above the bottles. On it I placed polarizing gel and also used a polarizing filter on the lens. I turned the polarizer on the lens so that the reflections of the light source in the bottles would not be visible. In some cases I created two exposures of the same composition – one with reflections and another without. Later in Photoshop I loaded the two exposures as layers, completely masked out the exposure with reflections, and only revealed the reflections that I wanted to be seen.

Your comments, questions, and thoughts are highly appreciated!

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